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Babuji and passed away on 29th July 2002 in Mumbai due to a stroke at the age of 82.Īpart from music Babuji was a part of RSS, a freedom fighter and activist. Sudhir Phadke last sang and composed music for this movie. During the final days of his life, Phadkeji dedicated himself for producing the 'Veer Sawarkar' film in Hindi. Sudhirji’s production ‘Ha Mazha Marg Ekla’ won a Rashtrapati Puraskar. ‘Sudhir Phadke’ is a title for many respected awards today but he himself won lot of recognitions liked Sangeet Natak Akademi Award in 1991 and the legendary Sahyadri Swara Ratna Puraskar in April 2002, presented by DD Sahyadri.
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were some of the other iconic voices in the history of 'Geet Ramayana'. Manik Varma, Lata Mangeshkar, Ram Phatak, Usha Atre etc. This masterpiece was then translated in 9 Indian languages. The first broadcast of 'Geet Ramayan' by Sudhir Phadke was done by All India Radio, Pune in the year 1955 on the occasion of Raam Navami. are some of the iconic compositions by Sudhirji.ĥ6 songs of Geet Ramayana were written by G D Madgulkar and sung by Sudhirji. ‘Jyoti Kalash Chalke’ by Lata Mangeshkar, ‘Pehli Tarikh’, sung by Kishor Kumar, ‘Maratha Sphurti Geet’ the regimental song of Maratha Light Infantry, ‘Ashi Pakhare Yeti’, ‘Vikat Ghetla Shyam’ etc. G D Madgulkar’s, 'Daryavari Nach Kari' was the debut of this legend in music composition. Shridharji aspired to sing like Balagandharva, Hirabai Badodekar and K L Saigal eversince. Vamanrao Padhye or famously known Padhye Bua in Kolhapur granted Shridharji the art of classical singing. Growing up in a humble family, Sudhirji couldn’t afford pursuing his dream of engineering but always emphasized on his son’s Shridhar Phadkeji’s education. He was a pioneer in classical ‘Bhaav Geet’ genre and brought intense emotions in his songs by giving meaning to the lyrics. For over 50 years music industry has enjoyed Sudhirji’s music. He brought alive more than 500 songs across Marathi and Hindi films through his voice and composed music for over 84 Marathi and 22 Hindi films in his career span. The song starts with "jhaptaal", suddenly changes to western 4 beats and then in antara it is pure ghazal dadra.Sudhir Phadke is popularly known as ‘Babuji’ in the film and music fraternity. The challenge for singer is in bringing the content, feeling and effortlessness if we take the basic notes for granted, for the players it is in controlling the singer in terms of taal and raag.Ĭheck it out yourself. and the raaga although has a "Yaman Effect" keeps on changing as well. There are 3 different taals used in this song which keep on changing at will. This song had been a nightmare for both accompanists and singers in our short mehfils. You may or may not like it but you will surely find it interesting. Anybody who likes any form of music must listen to this song. VasantRao Deshpande.Ĭoming back to Lata-Hridaynath. But the original version was by the one and only Dr. right from shankar mahadevan, Rahul Deshpande and even Rahul Saxena of indian Idol fame have sung it. There are many versions of this song on youtube. This is again a master piece from Khale sahab. I couldn't find any of the two original songs. Another interesting thing to note is Sudha malhotra's correct pronunciation of the unique marathi letter "la" which we have discussed sometime back.Īrun Bhaiyya Date would remind you of Talat. The second antara leaves Yaman and joins back at the end. The song of course is great, but has become vanilla due to over-usage. Anuradha paudhval too has sung with Arun bhaiya for another version.
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The all college function, all small scale mehfil song of "Arun Date" and "Sudha Malhotra". Bhavgeet: There is a certain MD called Shrinivas Khale, who is famous for his complex but melodius tunes, Lets start with couple of his compositions on Yaman Bhavgeets.